Hito Steyerl’s Disappearance
Hito Steyerl's work uncovers a frightening revelation on the new normal of human condition: our presence in the global world is substantiated far more in our digital identity.
Benjamin Grosser’s Pixels
The pixel is the fundamental unit of digital imaging. Pixels are always the same size, and always arranged in orderly grids. What happens when you change these universal standards?
A Screen History
Nowadays, screens of phones and computers are the frameworks of our visual world. However, things haven't always been like that. Discover the fascinating history of the screen.
The Glitch News Network
The Glitch News Network consists of conglomerations of the day's news assembled into a video of 2000 microseconds that is entirely decipherable only at an unconscious level.
Ryoji Ikeda’s Patterns
Ryoji Ikeda's audiovisual installations allow us to immerse ourselves in a digital world made of black and white, flickering barcode patterns. We are the network, the artist is saying to us.
The New Aesthetic
The New Aesthetic is concerned with everything that is not visible in digital images, but that is inseparable from them and without which they would not exist: the technology.
A Vernacular of File Formats
Most compressions are relatively concealed. They rarely come to the surface to explicitly reveal their language. Dutch artist Rosa Menkman makes them visible through a decoding process.
Levi Bettwieser’s Orphans
Photographer Levi Bettwieser is a rescuer of "orphans" rolls. With The Rescued Film Project he created an archive with the purpose of reconnecting these rolls with their owners.
Low-res in Art History [5]
We always associate resolution to digital images. However, its concept can be expanded to all pictures, tracing the journey of low resolution in art history.
